College of Humanities, University of Arizona
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Contigo en la distancia: Colombia, Galicia y el negocio narco entre la realidad y la ficción; entre el humor y el dramatismo
Laroussi S.S.
Q4
Studies in Latin American Popular Culture, 2021, цитирований: 2, doi.org
“Gracias a la vida”: Violeta Went to Heaven and Came Back Wearing a K-Pop Miniskirt
Park M.
Q4
Studies in Latin American Popular Culture, 2019, цитирований: 1, doi.org
Representations of Black Womanhood in Mexico
Chew S.A.
Q4
Studies in Latin American Popular Culture, 2018, цитирований: 12, doi.org
From Papiamentu to Afro-Catholic Brotherhoods: An Interdisciplinary Analysis of Iberian Elements in Curaçaoan Popular Culture
Dewulf J.
Q4
Studies in Latin American Popular Culture, 2018, цитирований: 1, doi.org
Paving the Way to Pavones: Property Wars, Narratives of Discovery, and the Fantasy of Surfing Paradise
Eastman A.S.
Q4
Studies in Latin American Popular Culture, 2018, цитирований: 1, doi.org
The Migration Genre in La jaula de oro: Voids and Virtues
Curry R.
Q4
Studies in Latin American Popular Culture, 2018, цитирований: 1, doi.org
“Entre campo y grabación”: Violeta Parra y las tecnologías migrantes
Montero G.
Q4
Studies in Latin American Popular Culture, 2018, цитирований: 2, doi.org
Among Races, Nations, and Diasporas: Genealogies of “La bamba” in Mexico and the United States
Cohen T.W.
Q4
Studies in Latin American Popular Culture, 2017, цитирований: 1, doi.org
El discurso nacionalista mexicano en el cómic Águila Solitaria de Víctor Fox
Swanson R.
Q4
Studies in Latin American Popular Culture, 2017, цитирований: 1, doi.org
Resisting the Dominant Gaze: Prison Works by Brazilian Artist Rosângela Rennó and Filmmaker Maria Augusta Ramos
Harrison M.I.
Q4
Studies in Latin American Popular Culture, 2017, цитирований: 1, doi.org
Through the Wall of Words: The Ruinous Cuban Body in Fernando Pérez’s Film La pared de las palabras (2014)
Severiche G.
Q4
Studies in Latin American Popular Culture, 2017, цитирований: 1, doi.org
¿La fiesta de todos o pocos? Representaciones fílmicas del Mundial ’78 de la Argentina
Ridge P.T.
Q4
Studies in Latin American Popular Culture, 2016, цитирований: 2, doi.org
Criollismo, política y etnicidad en las ideas y el folklore de Eusebio Dojorti (Buenaventura Luna)
Adamovsky E.
Q4
Studies in Latin American Popular Culture, 2016, цитирований: 1, doi.org
Tango and Cumbia villera: Origins, Encounters, and Tensions
Favoretto M.
Q4
Studies in Latin American Popular Culture, 2016, цитирований: 1, doi.org
Under the Spell of Populism: Popular Culture and Intellectuals in Brazil
Rêgo C.
Q4
Studies in Latin American Popular Culture, 2015, цитирований: 1, doi.org
Un pájaro progresivo: Pop Music, Propaganda, and the Struggle for Modernity in Argentina
Wilson T.
Q4
Studies in Latin American Popular Culture, 2015, цитирований: 2, doi.org
Autenticidad y alienación: Disonancias ideológico-culturales entre la “nueva canción” chilena y el rock anglosajón
Pino-Ojeda W.
Q4
Studies in Latin American Popular Culture, 2015, цитирований: 4, doi.org
¿Muy valiente, o loco?: How “Los Suns” Created a Political Controversy That Transcends Basketball
Jensen R.W.
Q4
Studies in Latin American Popular Culture, 2014, цитирований: 1, doi.org
Latin American Culture: A Deconstruction of Stereotypes
Alarcón A.V.
Q4
Studies in Latin American Popular Culture, 2014, цитирований: 2, doi.org
Heroic Journeys: The Immigrant Experience as the Hero's Journey in El Norte and La misma luna
Drake S.W.
Q4
Studies in Latin American Popular Culture, 2013, цитирований: 2, doi.org
Narcocorridos: Antecedentes de la tradición corridística y del narcotráfico en México
Dávila C.J.
Q4
Studies in Latin American Popular Culture, 2013, цитирований: 6, doi.org
From Superhero to National Hero: The Populist Myth of El Santo
Hegarty K.T.
Q4
Studies in Latin American Popular Culture, 2013, цитирований: 2, doi.org
Japanese Perceptions of Argentine Tango: Cultural and Gender Differences
Toyoda E.
Q4
Studies in Latin American Popular Culture, 2012, цитирований: 0, doi.org
Stamps of South American Antarctica, the South Atlantic Islands, and Popular Culture
Child J.
Q4
Studies in Latin American Popular Culture, 2012, цитирований: 1, doi.org
Is It Just about Love?: Filin and Politics in Prerevolutionary Cuba
Yero C.A.
Q4
Studies in Latin American Popular Culture, 2012, цитирований: 0, doi.org, Abstract
This article examines the role of Filin music in processes of social and political change. It explains how Filin was constitutive of its historical context and consequently, how Filineros expressed their social realities in their songs. Many Filineros were associated with leftist organizations and underground activism. However, their songs' lyrics seem to ignore Filineros' political lives, and focus solely on romance. Drawing from Filineros memories, this article explains Filin lyrics' detachment from the oppositional mobilization the musicians were involved in. First, the repression against communism that followed the post-World War II years in Cuba prevented Filineros from openly expressing their leftist views in their songs' lyrics. Secondly, Filineros understood Filin as a creative outlet and artistic experience, and not as an instrument for political opposition. Thirdly, some of the Filin musicians interviewed believed that music was impotent to create substantial social or political change. Neverthe...
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